![]() So Esposito pivoted, trading out one set of aesthetics for another, recreating his game as a madcap millennial satire. Originally inspired by, and drawn directly from, indigenous American folklore, it was met with some harsh criticism from those who thought that Ben Esposito, a non-native, was appropriating native culture. Every mission is bookended by conversations in a pit far beneath the county, where just about all of its original residents are now stuck.ĭonut County has an uneven history. And it's brimming with whimsy, full of goofy interactions-absorb a male and female bunny, and suddenly, well, you're going to have a lot more bunnies-and incredibly inspired writing. It both celebrates and critiques our urges for wrecking-game worlds, and it's funny as hell to boot.Īs a series of goofy vignette-style puzzle boxes, Donut County is nearly unparalleled, both exciting and breezy, never too difficult but clever enough to feel inspired. Created by a small team led by developer Ben Esposito, it's also one of the most delightfully destructive games I've played since Katamari Damacy. Who would have thought ordering donuts could be so dangerous?ĭonut County, in development since the early 2010s, is a loose satire about gentrification, the gig economy, and raccoons being jerks. What follows is a short, ingenious puzzle centered on finding out precisely how best to expand your hole (by feeding it, naturally) in order to consume everything you see. ![]() ![]() You, as the proprietor of the donut shop, send them a donut hole-but not the kind they were asking for. The game works like this: Somebody, somewhere in Donut County orders a donut on a fancy new app. They are strange sinkholes around town, growing as they devour, eating up restaurants and homesteads and people. Donut County, an ersatz version of Los Angeles County filled with donut-loving denizens, has some problems.
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